A tuning scale for the Japanese koto by way of the shamisen, this scale revolutionized the koto in Japan by the Andres Segovia of koto : Yatsuhashi Kengyō.
Invented by the great composer Verdi, he whipped this up on a public challenge.
Another name for the Phrygian dominant
Whole Tone Scale
A great transition scale especially over a dominant chord like the G7 that is implied here.
This is a great way to dip in and out of a blues scale when the V chord is invoked and whenever you can fit it in.
Take these scales and applications and see what you can create with them!